This show is made possible by Canada Council for the Arts.

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Artistic Director’s Note

[Image Description: A black and white photo of a person, Sarah, who has their hands on their knee, one crossed over the other. They are wearing a polka dotted button up shirt and have curly hair. They are looking intently at the camera.]

Speaking Vibrations is a multidisciplinary devised performance made by four artists with an extensive range of skills and artistries. One thing that strikes me so distinctly about this piece is its generosity. The pace allows us to wade in slowly. The production functions like poetry rather than narrative; each line, each gesture, illuminating an idea and building to something greater.  

There is a show happening for a Deaf audience and there is a show happening for a hearing audience and they are the same show. This integration is unusual. It is a vision of a more equitable, beautiful and interrelated world. 

May this vision and interrelatedness inspire us all.

Sarah

Credits and
Acknowledgements

Cast and Creative Team appear in alphabetical order.

Creators and Performers

Jo-Anne Bryan

Carmelle Cachero

King Kimbit

Jordan Samonas

Company

Director/Dramaturg | Jacqui du Toit

Deaf Culture Director | Pamela Witcher

Lighting Design | Emilio Sebastiao

Visuals & Captions | Lesley Marshall

Vibrotactile Specialists | David Bobier & Jim Ruxton (VibrafusionLabs) vibrotactile installation: Jesse Stewart

Stage Manager | Kat Wong

Movement Consultant | Dayna Szyndrowski

Lead Interpreter | Marianne Kelly

Production Crew

Technical Director | Kyle Ahluwalia

Interim Head of Props | Patrice-Ann Forbes

Head of Wardrobe | Vanessa Imeson

Assistant Technical Director, Head of Carpentry | Jonah Maybear

Assistant Technical Director | Valerie-Josephine Trudel

Please Note

  • Speaking Vibrations is approximately 75 minutes long, plus a 20 minute intermission.

  • The use of cameras or recording devices is strictly prohibited.

  • All cell phones and electronic devices must be turned off.

  • Please don't walk in the performance area of the stage.

  • Please keep your mask on at all times.

Enjoy the Show!

  • The Great Canadian Theatre Company engages members of the Local 471 of the International Alliance of Theatrical and Stage Employees.

    GCTC acknowledges the support of the Ontario Arts Council (OAC), an agency of the Government of Ontario, which last year funded 1, 737 individual artists and 1, 095 organizations in 223 communities across Ontario for a total of $52.1 million.

    GCTC acknowledges the support of Canadian Heritage for bringing this show to our stage.

    GCTC engages, under the terms of Canadian Theatre Agreement, professional artists who are members of the Canadian Actors' Equity Association.

    A special thanks to interpreters, Amanda Grimaldi, Ayoka Junaid, Kathleen Henderson, Catherine Maier, and Jennifer Roberts; to GCTC’s volunteers; and to the many family, friends and supporters of this production.

    This production would not be possible without the generous support of the Canada Council for the Arts.

Join us for Reasons To Be Cheerful

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Reasons To Be Cheerful is a joyful celebration of Ian Dury’s birthday, of his riotous disability anthem, “Spasticus Autisticus,” and of the disability justice movement. 

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The Company

[Image Description: Black and white headshot of a woman, Jo-Anne, who has long braided hair and is wearing earrings She is smiling at the camera.]

Jo-Anne Anita Bryan

Creator and Performer

Jo-Anne Anita Bryan is an Ottawa-based Artist experiencing life through the intersections of being Black, Deaf, Queer, and Woman. Her artistry includes American Sign Language (ASL) storytelling and performance. Jo-Anne is one-quarter of the Speaking Vibrations group; they did their first performance at Uproar Arts Festival (2019). Jo-Anne performed her ASL storytelling Where You Come From (Phenomena Festival, 2019) and 400 years (Sound Off Festival, 2021). When not performing, she works as ASL consultant/Deaf interpreter to interpreters and Deaf theatre actors and creates illustrations in her spare time. She wants to ensure that theatre is accessible to Deaf communities. 

[Image Description: Photo of a man with a moustache who is wearing a dark sweater. He is working with a machine and wearing glasses.]

David Bobier

Vibrotactile Specialist (Vibrafusion Labs)

David Bobier is a hard of hearing and disabled Canadian media artist whose art practice is researching and developing vibrotactile technology as a creative medium. This work led to his establishment in 2014 of VibraFusionLab in London, Ontario, a creative multi-media, multi-sensory centre that has gained a reputation as a leader in accessibility for the Deaf and Disability Arts movement in Canada and abroad. As a practicing artist his exhibition career includes 18 solo and over 30 group exhibition projects across Canada, in the United States and the UK. VibraFusionLab is now situated outside of London in Thorndale, Ontario.

[Image Description: Black and white headshot of a woman, Carmelle, who has long hair swept over one shoulder, and is smiling slightly at the camera.]

Carmelle Cachero

Creator and Performer

Carmelle Cachero has lived her whole life in the arts world and tells her story through rhythm. In addition to Speaking Vibrations, she currently dances with the Ottawa Rhythm Initiative Ensemble and YOW City Tap.  Her passion for the art form of rhythm tap is a driving force to her pursuits.  She co-founded the West Coast Tap Dance Collective, which promotes the art of tap dance and is looking forward to future projects currently in the works. Carmelle’s love for the arts extends into other aspects of her life working as a Sign Language Interpreter for theatre and performing arts. 

[Image Description: Jacqui Du Toit. A brown skinned woman infront of black backdrop and wearing a black dress. She has wavy black hair and dark brown eyes looking at the camera with a slight hint of a smile.]

Jacqui du Toit

Director and Dramaturg

Jacqui Du Toit is an award-winning, actor, playwright and an internationally celebrated storyteller from Kimberley, South Africa. Jacqui received the 2019 Prix Rideau Award for Outstanding Female Performance in Drowning Girls and an Outstanding Female Performance nomination for her role in Omnibus Bill. She created The Hottentot Venus - Untold, a monodrama nominated for best actress at the 2017 Rideaux Awards and Capital Critics Awards. Jacqui has performed across Canada and the world. She serves on the Board of Directors of GCTC, Ottawa Storytellers and Tactic Indie Theatre festival. Jacqui is the founder and director of 8thGeneration Storytelling Company and the Co-owner and Creative Director of The Origin Arts and Community Centre.

[Image Description: Black and white headshot of a woman, King Kimbit, who has long, dark hair, and is wearing a long necklace, glasses and cardigan. She is wearing earrings and looking to the right.]

King Kimbit

Creator and Performer

King Kimbit is a literary and vocal Hip-Hop artist based on traditional land of the Algonquin Anishinaabeg. As a daughter of the Vietnamese Diaspora, King yearns to explore the roots of her journey as she expresses through art forms learned from an inner-city upbringing, some of which can be heard on her debut album, Life Lessons Poetically. King is passionate about empowering and encouraging youth, community care, and sharing love through writing, reciting, and the abolition of punitive, carceral institutions, and is currently working on her sophomore album, Healing Trauma From The Projects. 

[Image Description: A black and white photo of Lesley who is standing in front of plants and foliage. Lesley has long, wavy hair and is wearing glasses. One hand with painted nails with a ring on one finger is cupping Lesley’s face.]

Lesley Marshall

Projection and Video Designer

Lesley Marshall is an award-winning filmmaker and intermedia artist. Projection art by Lesley has been performed at the National Art Centre, Montreal Jazz Fest, CentrePHI and in galleries in NYC, Toronto, Montreal, Ottawa and the Netherlands. Lesley is the founder of MAVNetwork (@mavnetwork Instagram) a production, media and marketing agency for audio visual design and presentation. In 2021, with collaborator Ashley Bowa, Lesley presented Green Gazing projection immersion project of plants and experimental movement at Ada X, Montreal, Workman Arts, Toronto, and at DARC, Ottawa.

[Image Description: A black and white photo of Jim who is wearing a button up shirt with spots on it. He is looking up towards the camera, which is at a higher angle.]

Jim Ruxton

Vibrotactile Specialist (VibrafusionLabs)

Jim Ruxton has a Masters degree in Electrical Engineering from the University of Ottawa and graduated from the Ontario College of Art and Design . He works as an artist and engineer in installation, performance, theatre, dance and film and collaborates with many other artists to realize their technically ambitious projects. As a member of Vibrafusion Lab he has been developing new systems to help bring vibrotactile technology into the world. Jim was co-founder of the Subtle Technologies Festival, a Toronto based event bringing together artists and scientists to share their techniques, tools and concepts.

[Image Description: Black and white headshot of a woman, Jordan, whose hair is swept over one shoulder, and is smiling widely at the camera.]

Jordan Samonas

Creator and Performer

Jordan Samonas is a performer, choreographer and producer of interdisciplinary works and events, with an eclectic movement background. Visionary and go-getter, Jordan has a background in indie self-production: ROOTED Contemporary Dance (2015-2019); NORTH OF MIND with Don Ross (2018) and Speaking Vibrations Accessible Concert Film (2021). Select credits: Speaking Vibrations (Ottawa Fringe Festival, 2021; Uproar Arts Festival, 2019), ex-ducere (Nextfest Arts Festival, 2021); A Hug in Several Parts (Dark Horse Dance Projects, 2019) snowdance2 (ROOTED Contemporary Dance, 2019), technosapien (Series Dance10-Ottawa Dance Directive, 2018); Ottawa Rhythm Initiative Ensemble (Ottawa Jazz Festival, 2018). Upcoming: Speaking Vibrations (GCTC May-June 2022); YOWCityTap (2022).

[Image Description: Emilio Sebastiao, an adult male with light-brown skin, smiling at the camera on a sunny day, wearing circular glasses and a snapback cap. Grayscale portrait.]

Emilio Sebastiao

Lighting Designer

Artisan of stage arts for more than ten years, Emilio dedicates his time to various artistically and technically creative projects, dedicating the majority of his time to lighting and set designs for the performing arts.

Recently, Emilio has created a wide variety of lighting designs for theatre and dance such as Néon Boréal, Delphine Rêve Toujours, and Le Lilas Africain, in collaboration with the Théâtre du Trillium, Théâtre de la Vielle 17, and the Théâtre de Dehors, respectively.

Jesse Stewart

Vibrotactile Installation

Jesse Stewart is a visual artist, composer, percussionist, instrument builder, and educator dedicated to re-imagining the space between artistic disciplines. Much of his creative work crosses disciplinary boundaries, exploring the links between the visual and the sonic arts.

He has exhibited work in over twenty exhibitions at galleries including the Museum of Contemporary Canadian Art, the Robert McLaughlin Gallery, Thames Art Gallery, the Glenhyrst Gallery, the Peterborough Art Gallery, the Macdonald Stewart Art Centre, and the Ottawa Art Gallery. Five exhibition catalogues have been published about his work.

As a musician, he works primarily in the areas of jazz, experimental music, and free improvisation. His music has been documented on over twenty recordings including Stretch Orchestra’s self-titled debut album which received the 2012 “Instrumental Album of the Year” JUNO award. He has performed and/or recorded with musical luminaries from around the world.

He also has extensive experience facilitating community-engaged art and music projects.

Jesse Stewart has received numerous awards and honours including the Ottawa Arts Council’s Mid-Career Artist Award and the Order of Ottawa. He is a Professor in the School for Studies in Art and Culture at Carleton University, and an adjunct faculty member in the Visual Arts Department at the University of Ottawa.

[Image Description: A black and white drawing of Pamela, who is depicted with short wavy hair and glasses, with a slight smile.]

Pamela Witcher

Deaf Culture Director

Pamela E. Witcher is a multidisciplinary artist, a director, a curator, an interpreter and a translator. Pamela’s implications have contributed several artistic projects, among others: Collective Reflection on Cultural Citizenship of Deaf People and Cultural Equity Practices; Phenomena Festival; VIBE Symposium; Edinburgh International Book Festival; Peuple de l'oeil, Écomusée du fier monde; Québec en mouvement !; Revue À Bâbord; Signed Music : A Symphonious Odyssey; Symposium Celebration of Sign Language; Conseil des arts du Canada; and, Ageing, Communication & Technology (ACT). Pamela finds it necessary to overlap old and new discoveries that have the power to change views and ideas. When the Deaf communities create information through art and documentation, our existence becomes concrete, known and valued.

[Image Description: Kat is standing in front of a dark background wearing a leather jacket and looking at the camera. Her head is tilted to the left with a slight smile.]

Kat Wong

Stage Manager

Kat Wong can be found in various places and positions in the theatre including acting (Suspense: The Radio Show, Plosive Productions), stage managing (Midsummer [a play with songs[), lighting/projection (The Santaland Diaries, Theatre Vancouver), and scenic painting (Macbeth, Bear & Co.).

This theatre ninja can also be found in other sectors of the entertainment industry including festival streaming technician and production assistant (Ottawa International Animation Festival 2020), working as an IATSE stagehead backstage at concerts like Cher, as a production assistant at award shows (Indspire 2020), and writing novels and scripts.

She is a graduate of Carleton University’s Interactive Multimedia & Design program as well as Algonquin College’s Theatre Arts program.

VibroDrum is an interactive sound installation by interdisciplinary artist Jesse Stewart.

You are invited to engage with the work by moving within the field of view of the iPad, which is running the Adaptive Use Musical Instrument (AUMI) software developed by the AUMI-Consortium of which Stewart is a member.

The software detects motion and converts it into electrical impulses (known as MIDI signals) that are sent to mechanical strikers that will play a series of frame drums in response to your movements. The sound of the drums is sent to transducers attached to the underside of the carpeted platforms positioned in front of the installation. The transducers translate the sound of the drums into vibrations. By standing, sitting, or lying on the floors, you will be able to feel the vibrations of the drums in real time.

You are invited to experience the Vibrotactile Installation located in the lower lobby before and after the performance.

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Board and Staff

GCTC
Board of Directors

Chair | Natasha Chettiar

Vice Chair | Michael Aylward

Secretary | Carmelle Cachero

Treasurer | Alison Spiers

Wendy Berkelaar

Carmelle Cachero

Krista El-Khoury

Maya Fernandez

John Kirkwood

Megan Piercy Monafu

Tara Paterson

Jacqui du Toit



GCTC Staff

Public Spaces Coordinator | Alli Harris

Education Coordinator | Alyssa English

Company Manager | Celina Hawkins

Ticketing Coordinator | Chao Li

Access Coordinator | Drea

Box Office Assistant | Emma Ferrante

Volunteer Coordinator | Geoff McBride

Managing Director | Hugh Neilson

Marketing & Communications Manager | Jared Davidson

Assistant Technical Director, Head of Carpentry | Jonah Maybear

Box Office Assistant | Kristen Williams

Technical Director | Kyle Ahluwalia

Development & Membership Manager | Michelle Gendron

Interim Head of Props | Patrice-Ann Forbes

Interim Artistic Director | Sarah Kitz

Finance & Office Manager | Selam Haile

Production Manager | Seth Gerry

Head of Props & Head Scenic Painter | Stephanie Dahmer-Brett

Marketing & Development Coordinator | Taylor Vardy

Assistant Technical Director | Valerie-Josephine Trudel

Head of Wardrobe | Vanessa Imeson

Box Office Assistant | Vishesh Abeyratne

 

GCTC’s Partners

Foundations (cont.)

  • CRABTREE FOUNDATION

  • Shannon Reynolds Memorial Endowment Fund

  • The Charles Dalfen Tribute Fund

  • Turnbull Family Community Building Foundation

  • The Wesley and Mary Nicol Charitable Foundation

Community Partners

Opening Night Catering Sponsor

  • Thyme & Again

Green Room Sponsor

  • The Table Vegetarian Restaurant

Service Partners

  • Ottawa Public Library

  • Ottawa School of Art

  • University of Ottawa Alumni Association

Membership Program Partners

  • Absinthe Café Resto-Bar

  • Petit Bill’s Bistro

  • Pho Van Van

  • The Hintonburg Public House

  • The Royal Oak (Wellington Location)

 

Our Donors

(As of February 2022)

[Image Description: In a black circle. Text “Director’s Circle”, with one work curved on top, and one on the bottom. At the centre is a white and black bee. Black dots connect the two words on either side.]

Director’s Circle ($1000+)

Director’s Circle members enjoy a deeper connection with our creative process through social engagement with artists and other members of the GCTC family. For more information, please contact: Michelle Gendron, Development & Membership Manager, 613-236-5192 ext. 226 or michelle@gctc.ca.

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*Staff Member

**Board Member

Individual Donors $250-$999

Thank you to all of the individual donors that continue to help us bring great Canadian theatre to our stage. Our donors are the cornerstone of our organization. Donor benefits include: a tax receipt, good karma, and the knowledge that you directly contributed to ensuring the arts can continue to make a positive difference in your community.

If you are considering making a donation, please go to gctc.ca/donate or speak with a box office staff member.

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Individual Donors $100-$249

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Individual Donors $50-$99

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