GCTC unveils 2021-22 season

FOR IMMEDIATE RELEASE - SEPTEMBER 29, 2021, OTTAWA.

In March 2020, Great Canadian Theatre Company (GCTC) opened the Canadian premiere of Sean Devine’s Daisy, only to close it the very next day due to the pandemic. This December, the play will triumphantly return to the stage as the first show of GCTC’s much anticipated 2021-22 season, and marks the theatre’s return to in-person theatre after a 20-month hiatus. It’s the first of five plays in GCTC’s 2021-22 season, which will run from December 2021 to June 2022. Find all the details below. 

GCTC’s return to in-person theatre will be handled with care and caution, with the emphasis placed on audience safety. Tickets for Daisy are available starting October 27, 2021 and will be sold using GCTC’s new and accessible Pick-Your-Price model.

Here are the five mainstage plays of GCTC’s 2021-22 season:

• Daisy by Sean Devine: Nov 30 - Dec 17, 2021

• Blissful State of Surrender by Sanita Fejzić: Feb 1 - 13, 2022 (part of the TACTICS Mainstage Series)

• The Runner by Christopher Morris: Feb 24 - Mar 6, 2022

• Heartlines by Sarah Waisvisz: Mar 22 - Apr 3, 2022 (part of the TACTICS Mainstage Series)

• Speaking Vibrations created by Jo-Anne Bryan, Carmelle Cachero, King Kimbit & Jordan Samona: May 24 - Jun 4, 2022

“We’re so excited to have audiences back in the building,” says GCTC’s Managing Director, Hugh Neilson. “The community has stuck with us during our closure. This season is a result of their support, and we cannot thank them enough.”

SHOW DETAILS
Daisy by Sean Devine (co-production with Horseshoes and Hand Grenades Theatre), which runs from November 30 - December 17, 2021, is the story of the creation of the first modern political attack ad, used in the 1964 race for the American presidency. GCTC’s 2021 production sees the return of much of the 2020 original cast: Marion Day, Brad Long, Geoff McBride, Andrew Moodie, and Paul Rainville. Eric Coates, GCTC’s former Artistic Director, will return to direct the show, and will take on the role of Tony Schwartz, the audio engineer whose work inspired the attack ad’s creation. 

“Even though Daisy deals with an American presidential race from the 1960's, its relevance is still very much felt today, not only in the U.S., but here in Canada as well,” says Horseshoes and Hand Grenades Theatre Artistic Director Mary Ellis. “We need look no further than our own recent federal election.” 

Next, TACTICS, a bastion of long term development in Ottawa’s theatre community, takes over the GCTC stage for its Mainstage Series with Blissful State of Surrender by Sanita Fejzić (Blissful State Productions), a dramatic comedy that explores the complex relationships of a Muslim refugee family living in Canada.  

Sanita Fejzić, a Bosnian refugee herself, worked on the script of Blissful State of Surrender while she was a GCTC Playwright in Residence last year. The production runs from February 1 - 13 at GCTC and will be directed by TACTICS founder Bronwyn Steinberg (The Drowning Girls, Bang Bang) and features Ottawa favourites John Koensgen and Dana Užarević.

“Blissful State of Surrender reveals the love that holds families together and tears them apart in the face of trauma, loss and precarity,” says Rebecca Benson, TACTICS Co-Artistic Producer. “We watch as the characters wrestle with their ethnic and sexual identities, PTSD and the devastating effects of Islamophobia, and their expectations of each other as they look for bridges across a generational divide.”

From February 24 - March 6, 2022, The Runner by Christopher Morris (a Human Cargo production) brings pulse-pounding drama to GCTC. The three-time Dora Award-winning show is performed by a single actor atop a constantly-moving treadmill. At its core, it is a play about the individual choices made during medical triage. It follows Jacob, a member of Z.A.K.A, an Orthodox Jewish volunteer force that collects the remains of Jews killed in accidents, and tells the story of what happens when he treats a young girl suspected of stabbing a soldier.

The TACTICS Mainstage Series continues with Heartlines (A Calalou/RAFT Theatre Projects Production), a darling of the 2021 undercurrents festival. Written by Ottawa’s own Sarah Waisvisz, the play tells a story of Queer romance at a time of Nazi occupation. A reimagining of two members of the French Resistance, avant-garde artists Lucy Schwob (a.k.a. Claude Cahune) and Suzanne Malherbe (a.k.a. Marcel Moore), who were secretly Jewish, lesbian life partners. This production features Margo MacDonald (The Elephant Girls) and Maryse Fernandes (Love from Afar). Heartlines runs from Mar 22 - Apr 3, 2022. 

“Heartlines had its start and its growth with TACTICS and we are honoured to present it on a large stage that can support the wildest dreams of its creators,” says Ludmylla Reis, TACTICS Co-Artistic Producer. “Claude and Marcel were visionaries and so is Sarah Waisvisz. We couldn’t be happier to see this piece in Ottawa again.”

GCTC’s mainstage season concludes with Speaking Vibrations, a radical new play from Jo-Anne Bryan, Carmelle Cachero, King Kimbit and Jordan Samonas. A multi-disciplinary show, it features ASL song and poetry, music, rhythm tap and dance. It was created with accessibility at its heart. The story is primarily told in sign language, and features live open captioning with English subtitles projected live on stage. The project, which brings together four artists of diverse identities and practices, and disrupts notions of performance art categorization, is making its way to the main stage May 24 - Jun 4, 2022.

MEDIA PHOTOS

Photos for Daisy, The Runner and Heartlines are available here. Photo credits with performers listed from left to right can be found in the file names. 

NEW TICKET PRICES
As part of GCTC’s effort to make theatre accessible to all members of the community, the 2021-22 season will feature a new model for single tickets. Audiences will be able to pick their price with single tickets ranging from $15, $25, $40, $55. All tickets will provide the same experience. Audiences are encouraged to pick the ticket price that makes the most sense for them.

Instead of subscriptions to this year’s season, GCTC will be selling tickets in packs of four plays at a 10% discount. 

Tickets and ticket packs go on sale October 27 at GCTC’s box office at 613-236-5196 or online at gctc.ca. Prices range from $15, $25, $40 & $55 for single tickets and $54, $90, $144 & $198 for four-packs.

ADDITIONAL PROGRAMMING
Complimenting GCTC’s five mainstage shows will be a bevy of limited-engagement programming, including a return of the popular music series FemmeVox and two new offerings for young audiences: You and I created by Maja Ardal and Traversée by Estelle Savasta. Here are the details: 

FemmeVox Concert Series
In collaboration with CKCU, CHUO and the Ottawa Music Industry Coalition, the GCTC presents FemmeVox, a concert series featuring established and emerging singer-songwriters.  FemmeVox is unique in that it pairs up artists resulting in surprisingly creative new songs. The compositions are then presented for the first time ever to the live audience in attendance.  

FemmeVox Sunday afternoon dates (subject to change): 

• Dec 19, 2021 

• Feb 6, 2022

• April 10, 2022

You and I, created by Maja Ardal
Fast on the heels of Young People Theatre’s smash-hit for infants, One Thing Leads to Another, comes a brand new creation for “walking babies”. You and I is a multi-sensory, playfully interactive adventure that engages little explorers (and their adults!) in discovery through colour, sound, touch and movement. Feb 15 - 19, 2022. 

Traversée by Estelle Savasta, trans. Kirsten Hazel Smith
Two women, one Deaf, the other hearing, tell the story of Nour, a child refugee, and Youmna, the adoptive mother she has to leave behind. Dressed as a boy and with unknown smugglers to take her across the water, the young girl tears herself away, a mysterious little box her only possession. Traversée/Going Through is a tale of exile, of unconscious legacies, of inner journeys, of separation and of necessary reconstruction. March 23 - 25, 2021. 

ABOUT GCTC

GCTC is celebrating its 47th season in 2021-22. We continue to foster, produce and promote excellent theatre that provokes examination of Canadian life and our place in the world. GCTC aims to increase the diversity on its stages, diversify its audiences and deepen their experience. GCTC also continues to embrace artistic risk and to ensure a wide range of theatrical experiences.

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For more information or to arrange interviews, contact:

Jared Davidson

Marketing and Communications Manager

Great Canadian Theatre Company

marketing@gctc.ca

613-236-5192 ext. 229